Cotinus in autumn

Petal doubling makes flowers more showy, but often at the cost of the ‘doubled’ flowers being less interesting to pollinating insects. The additional petals may be modified stamens so less pollen is produced. Compare a wild rose to a garden rose and you’ll see what I mean.

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Image of the day – 180

What’s in an image? Sometimes quite a lot, more than meets the eye. I’m posting an image every few days.

Click images to enlarge

These autumn leaves are on a purple Cotinus coggygria bush, common name ‘smokebush’. Like many trees and shrubs at this time of year, Cotinus leaves change colour in autumn before falling to the ground. The shrub will produce fresh, new leaves in the spring. But look more closely and you may see something else.

The leaves in the image have developed interveinal patches of necrotic tissue, making the plant even more striking in autumn. I had never noticed this condition before moving to Cirencester, but there’s a Cotinus in the grounds of the Stratton House Hotel and Spa that does this annually. The shrub seems healthy in the spring and summer. For a week or two at the end of October this patterned necrosis makes the autumn leaves look even more spectacular.

Irregularities of this kind are common in both animate and inanimate natural systems and not infrequently appear as deliberate ‘enhancements’. Here are one or two notable examples:

  • Leaf variegation – Gardeners and plant breeders select and propagate from stable variegations. Normally plants with variegation grow more slowly because the efficiency of photosynthesis is compromised.
  • Petal doubling – This make flowers more showy, but often at the cost of the ‘doubled’ flowers being less interesting to pollinating insects. The additional petals may be modified stamens so less pollen is produced. Compare a wild rose to a garden rose and you’ll see what I mean. How often do you see bees working garden roses?
  • Variations in animal characteristics – amongst cats and dogs (and also budgerigars, canaries, parrots and chickens you’ll see size and shape changes as well as behavioural, colour and pattern modifications. Compare a Jack Russell with a retriever or a blue budgie with a green one and you’ll find plenty of differences to ponder.
  • Frost hardiness in plants. Frost sensitive species cannot survive winter in temperate or arctic conditions, so hardiness is a prized feature of many garden plants, and plant breeders pay attention to things like this. A Dahlia or Chrysanthemum that can flower for an extra week or two in the autumn may be worth a higher price, for example.
  • Fruit colour and flavour components. These days strawberries are much larger than when I was child, and they are often red inside, not just on the outer surface.

Many variations of this kind are deliberately selected for by plant and animal breeders.

Certain other changes have been caused deliberately, even in humans. Lower lip enlargement, neck ringing to generate extended neck length, foot binding, and forms of male and female circumcision have been required for a variety of religious and cultural reasons. Hair styling, removal, or transplantation, piercing of ears, noses and other body parts are common, and don’t forget tattooing. And in plants; pruning, clipping, or bonsai are widely employed.

In the world of rock and stone, coloured and uncoloured crystals may be prized as jewels and fetch fantastic prices. I wrote about an example of this, a geode I spotted in an ordinary, traditional, Cotswold dry stone wall.

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Cirencester Abbey

The abbey’s construction was a huge project continuing throughout the 12th century. To fund the ambitious project, Henry I and his successors, Henry II and Richard I, granted the abbey revenues and privileges, such as exemption from tolls, access to commerce, and timber and stone for construction.

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Image of the day – 179

What’s in an image? Sometimes quite a lot, more than meets the eye. I’m posting an image every few days.

Click images to enlarge

In medieval times there was an Augustinian Abbey in Cirencester. Like so many abbeys and monasteries in the United Kingdom it was dissolved during the reign of King Henry VIII and afterwards demolished. The outline of the walls is marked in the Abbey Grounds with small, square paving slabs, and a few of the column bases are visible too, but that is all that remains above ground where the Abbey once stood. There are some additional carved stones and other items in the Corinium Museum.

The photo shows a Lego model of the Abbey, currently on display in the Parish Church. You can see a Lego tree in the garden within the cloisters, and part of the nave of the Abbey church. The model is complete with its tower although this doesn’t appear in the main photo, but it’s there in the image below.

Construction and history

The Abbey and tower

Some of the political and practical history of the founding and later dissolution of the abbey are well described in blog articles published by the Corinium Museum. These articles, and the Wikipedia article are well worth reading. They are linked below.

Long before the Abbey was built the land where it later stood was part of the Roman City of Corinium Dobunnorum; the River Churn (in those times named Kern, Kerin or Corin) had been divided into two, one part outside the city walls as a defensive feature, the other part within the city as a source of water for drinking, washing, for industry, building and so forth. The Saxons, moving West into the still Romano-British part of what is now South-West England, took control of the area, but had no use for a derelict Roman city. However, there was a Roman church building in the area where the abbey would later be founded, and a Saxon church was built over the Roman church.

Early in the 12th century, King Henry I founded St Mary’s Abbey, building the chancel on the site of the Roman and Saxon churches. About 1130, Abbot Serlo arrived with a community of canons to set up residence .

The abbey’s construction was a massive project continuing throughout the 12th century. To fund the ambitious undertaking, Henry I and his successors, Henry II and Richard I, granted the abbey revenues and privileges, such as exemption from tolls, access to commerce, and timber and stone for construction. Henry II allowed the abbey the revenues and control of the town (or ‘vill’) of Cirencester around 1155, initiating centuries of friction with the local townspeople. The abbey church was consecrated in 1176 in the presence of King Henry II and several bishops, but building work on the cloisters, refectory, dormitories, and the abbot’s house continued for many more years.

The result of all this effort was the most wealthy and influential Augustinian abbey in the Kingdom. The abbey flourished through its ownership of very large estates in the Cotswolds and an important role in the very profitable medieval wool trade.

Dissolution

The townspeople repeatedly asked the Crown to grant them a borough charter, but this was consistently and strongly opposed by the abbots. In the end, Henry VIII’s dissolution of the monasteries ended with the destruction of the abbey and the confiscation of much of its wealth and property. A Royal Commisioner, Robert Southwell arrived in the town on 19th December 1539 to receive the surrender from the last abbot, John Blake. There was no resistance, and the abbot and monks received pensions, but the buildings were torn down and everything of value was sold off.

Religion or faith?

As with so many JHM articles, as I write I am deeply struck by the huge gulf between religion (usually a very worldly affair as in the history of Cirencester Abbey) and faith (with its basis not so much in what we think as in who we are and how we live.) The distinction is essential if we are to live full lives, discovering who Jesus is and why he matters so much.

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Tree shading

Put an upturned bucket over a patch of grass in your garden. Lift the bucket every day and take a look, then re-cover the patch… How long does it take for the grass to die?

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Image of the day – 178

What’s in an image? Sometimes quite a lot, more than meets the eye. I’m posting an image every few days.

Click to enlarge

Trees provide shade, most welcome on a hot day, and they provide shelter when it rains (though this may be unwise during thunderstorms).

But notice the absence of grass beneath these conifers. Shade and shelter are exactly what other plants don’t need; they depend on plenty of light and water to enable them to grow. Light is essential as it provides the energy to split water into hydrogen and oxygen, and water is essential as the raw material for this process. The oxygen is released into the atmosphere, while the hydrogen is bonded with carbon dioxide from the atmosphere to make energy-storing sugars for use at night and to build cellulose, the main support molecule that gives stems, branches and tree trunks their strength.

The lack of light and water under tree canopies creates a kind of local desert. You can see this clearly in the photo from the presence and absence of grass. So how do the trees survive? That’s a great question! Their roots spread out widely and deep, far enough to reach moist soil and deep ground water. In persistent rain, water drips from the drenched leaves above. And root, trunk and branch all contain stores of water so a tree can cope with a long, dry summer far better than the grass can.

Light

Here’s an experiment anyone can do. Put an upturned bucket over a patch of grass in your garden. Lift the bucket every day and take a look, then re-cover the patch. See how long it takes for the grass to turn yellow. How long does it take for the grass to die?

For plants, light is essential. There are some animals that live in dark caves or underground, with no light. Earthworms are a good example, but like all animals they get their food by consuming plants and other animals. But for most creatures, including us humans, light is essential nonetheless. Whether we are plant eaters (like cows and sheep) or meat eaters (like lions and wolves) or omnivores eating either or both (like humans and rats) we still need light to see in order to find and identify the things we must eat to stay alive.

Water

For plants, water is part of their ‘food’, it’s needed to make sugars. For animals water is of no value as food, but it’s essential to prevent dangerous dehydration. All animals know when they’re thirsty and they’ll find water and drink to keep themselves alive. Think of a man lost in a desert, the cartoons have him croaking out, ‘Water.. Water..’ Imagine someone unable to find water, they’d die of thirst long, long before they died of hunger. Most of us would be in danger after a few days without drinking, but we could live for several weeks with nothing to eat. And of course, if you are a fish too little water would mean you couldn’t breathe, and if you were a land animal too much would mean you would drown.

Spiritual (not religious)

The idea of essentials has been carried over into spiritual ideas too. Light and water (and food) are so clearly necessary for life that they make good analogies and illustrations. What did Jesus mean when he said, ‘I am the way, the truth and the life’? Or when he explained to the Samaritan woman at the well that he would provide water that never runs out, or when he told his followers, ‘I am the bread of life’ or ‘I am the light of the world’?

He was simply saying, I am essential, you can’t live without me. I’m necessary for life. Just as in the physical world, how would it feel to live in the dark, without water and without sustenance? How long would you last? How long would I last?

Many people today feel sure there is no spiritual aspect to life at all, it’s just about living your life in the here and now and then dying from accident, illness, or just old age. Others think there’s much more to life than that. At the very least there are moral and philosophical truths to consider. We should care for one another, help one another, and cooperate in helpful and kind ways.

Food for thought. Let me know below how you think about the essentials of life. Do you have any thoughts to share on this?

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Mosaics underfoot

Walking through the Corinium Museum is not just a walk through history; it is a pilgrimage into the very nature of human experience. These mosaics remind me that we are connected to the past not just by shared geography, but by shared themes of life, art, and the simple beauty of the world around us.

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Image of the day – 177

What’s in an image? Sometimes quite a lot, more than meets the eye. I’m posting an image every few days.

Walking in Cirencester

Orpheus

Almost every day, I walk over history in Cirencester. My feet tread on pavements, asphalt, and concrete, a modern tapestry built over layers of forgotten lives. But in Cirencester, the past isn’t merely buried beneath; it is visible to view, laid out in small, colourful cubes of stone or painted wall plaster. At the Corinium Museum, the mosaics of Roman Corinium offer more than just archaeological wonder; they invite a journey into the heart and mind of a world long gone.

Corinium

The Roman town of Corinium Dobunnorum was one of the most important settlements in Britain, second only to Londinium. This prosperity is captured in the magnificent mosaic floors that once adorned the villas and townhouses of its elite. As I stand before them, they cease to be mere objects of a museum. Instead, they become stories frozen in time, each tiny tessera a word in a sentence, each panel a vibrant, geometric chapter.

Sometimes we see things indirectly, and our brains are capable of retrieving far more information than you might at first think. It’s true of all our senses – hearing, touch, taste, smell and all the rest. The senses provide information but the brain makes much more of it all.

The hare

The hare

There is the famous Hare mosaic, found in Beeches Road and now a quiet emblem of our town. The artistry captivates the mind: a small hare caught in a moment of simple, vulnerable life, feeding amongst the foliage. When I look at it, I feel a curious resonance. We are so used to seeing animals in art as symbols of strength or the spoils of the hunt. Yet here is a humble creature, a snapshot of everyday nature from the fourth century. It reminds me that even in a grand Roman villa, the small, quiet moments of life were still observed and valued. It’s a message that travels two millennia, from one human heart to another.

The seasons

The Seasons mosaic presents another journey entirely. Here, Greek myth and a Roman love of the seasons mingle in intricate detail. But what strikes me is the continuity of it all. The cycle of winter pruning, spring planting, summer harvesting, and autumn gathering was as central to life then as the changing seasons are to us today. The mosaic is a reminder that some rhythms of existence are eternal, transcending the rise and fall of empires. It connects us to a shared human experience of time, of labour, and of nature’s relentless, beautiful cycle.

Orpheus

Perhaps the most poignant is the Orpheus mosaic (image at the top of the article), which once decorated a grand house just outside the town. In the centre, Orpheus charms wild animals with his music. This isn’t a scene of violent conquest, but of tranquil harmony, of nature tamed by art. In our own divided and turbulent world, the image speaks to a timeless desire for unity and peace. The mosaic suggests that art has the power to bring disparate parts of the world together, if only for a moment.

Walking through the Corinium Museum is not just a walk through history; it is a pilgrimage into the very nature of human experience. These mosaics remind me that we are connected to the past not just by shared geography, but by shared themes of life, art, and the simple beauty of the world around us. And as I step back out onto the modern pavement of Cirencester, I can imagine the ancient tesserae still underfoot, a solid reminder of the stories that lie beneath.

I didn’t write this article

OK, it’s confession time. I asked Google’s AI to write this article for me. I’ve made a few minor tweaks and edits, but that’s all. The prompt I provided wasn’t complex either. Here it is:

Write an article for ‘Journeys of Heart and Mind’ on Corinium mosaics. Follow the style and structure of existing articles.

Those twenty words resulted in this article. All you need to do is visit gemini.google.com and write a request like that, and the AI will write an answer for you. You don’t have to install anything or pay for anything, just type the request and press ‘Enter’. Give it a try! Type in ‘Write ten verses in the style of Wordsworth about laptops’ and see what comes out.

In some ways I think the AI did a better job than I would have done, but if I’d written it, it would have been me – and this isn’t! Where AI can help is to do some of the necessary research and perhaps create a first draft. But beyond that, my advice is to keep it human.

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Cloud reflection

Just from this image the brain understands there are ripples on the surface of the water and from past experience will also know that these ripples will be moving.

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Image of the day – 176

What’s in an image? Sometimes quite a lot, more than meets the eye. I’m posting an image every few days.

Click to enlarge

Sometimes we see things indirectly, and our brains are capable of retrieving far more information than you might at first think. It’s true of all our senses – hearing, touch, taste, smell and all the rest. The senses provide information but the brain makes much more of it all.

What do we see in this image? It’s just a pattern of coloured patches reflected from a water surface. That’s what the eye sees. But the brain tells us there are clouds in the sky above and there are ripples on the water. Then the brain compares this basic information with what it recalls from past experience and it can construct two narratives, one for the clouds and another for the water.

The clouds

There is a dark cloud and it’s the closest one to us, it threatens a shower of rain. A second image taken a few seconds later would be enough for the brain to decide the direction of movement of the cloud and predict whether the rain might fall here or somewhere else. Paler clouds, white clouds and blue sky suggest there’s some sunshine around as well so although there might be a brief shower, it won’t turn into ongoing steady rain. All of that from from a few colour patches.

The water

Because of the way the cloud reflections are distorted, the brain can infer the water is neither heavily disturbed not completely calm. Just from this image the brain understands there are ripples on the surface of the water and from past experience will also know that these ripples will be moving. The same brain will realise that there are two likely causes; either there is a light breeze blowing or perhaps a boat has passed recently. Once again, past knowledge in memory is necessary to arrive at these conclusions. There are some large ripples and, near the top of the image, some much smaller ones too. There was a small disturbance in the water further away as these small ripples seem to form an expanding circle of which we see only a small part.

Here and there things are floating on the water, small leaves, perhaps? If so, there must be trees nearby, perhaps with branches overhead. What a lot the brain can reconstruct on the basis of prior knowledge! And all of these conclusions come from some patches of colour in a still image. And what about the little sticks emerging from the water on the left-hand side? It’s the remains of vegetation of some kind. Was there a plant growing in the water? Did a strong wind break twigs off an overhead tree branch?

And one last point – it was not raining at the moment the photo was taken. The water would have been covered with dozens of circular disturbances if rain was falling. That’s a lot of information that your eyes and brain can glean from a single fragment of time trapped by my camera!

We are, as the Bible expresses it, fearfully and wonderfully made (Psalm 139:14).

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