The higher you look, the less you see

You see the lights and you might hear the engine or the sound of the tyres on the road surface. But there’s no way you could tell the make and model of the car. The details are hidden.

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Image of the day – 183

What’s in an image? Sometimes quite a lot, more than meets the eye. I’m posting an image every few days.

Click images to enlarge

Sometimes it’s foggy in Cirencester. The Cotswolds is in the south-west of England and the prevailing winds come from the south-west and are laden with water vapour after crossing the Atlantic. As the air rises over the Cotswolds and other hilly country, some of that water vapour condenses as rain and some as fog. Once the sun appears, any mist or fog clears away with the rising temperature.

It’s all in the detail

As you look at the scene in the photo, you’ll notice right away that the fog obscures details on the church tower while the details on the nearer, and much less tall buildings in the foreground are quite sharp. This is always the way of things in foggy conditions. Nearby objects reveal more detail than those further away. If you stood near the base of the tower and looked towards the top you’d see the same thing. Stonework at the same level as your head would be clear, but raise your gaze to the top of the tower and you’d see few details. In heavy fog you might not see the top of the tower at all.

This is a great illustrative parallel of our ability to see spiritual details too. Look at the people around you and you see a lot of detail – hair colour, eye colour, style of hair, details of clothing , now look up and the detail seems to vanish. The Bible tells us that the Creator is hidden in dark clouds. The English words dark and darkness didn’t traditionally mean an absence of light, the sense was of something hidden from view. When you look into the headlights of a car coming towards you at night you see the lights and you might hear the engine or the sound of the tyres on the road surface. But there’s no way you could tell the make and model of the car. The details are hidden although (or even because) there’s so much light.

Yahweh (God) is like that too, as you get to know him the first thing you’ll understand is the simplest thing of all – he is there! Just an indistinct outline in the distance. As you draw closer, gradually you’ll begin to see how brightly he shines, but spend some time with him and more detail will appear, not what he looks like because he’s not a physical object in our universe, but you’ll start to see that he consists of a pure love, you’ll notice that he cares deeply about everyone, not just his followers, that he is the source of such things as peace, and grace, and joy, and that he knows you better than you know yourself. This experience feels very like walking towards an object almost invisible in the fog and discovering it to be a beautiful tree or an an amazing building. And the closer you get, the more detail you can distinguish – the veins on the leaves or the surface details in the stone.

Making a start

But how can you begin to know him? Where do you start? The answer is simple, begin right where you are right now. Start by noticing that the people you know (and you yourself) have a threefold nature. You are physical, like a stone or a puddle of water, but you also have a mind – utterly unlike a stone or a puddle! Is it so surprising, then, that there’s a third dimension to your existence and nature? These dimensions overlap yet they are distinct.

Your physical presence can be measured just like that of a stone, you have a certain size, shape, and mass, if you’re in motion you have measurable velocity, direction of movement, momentum and so forth. You possess colour and reflectivity. But overlapping with this physical presence are your senses of touch, sight, hearing and the rest.

The stone lacks these abilities. You have a brain that constantly evaluates the information coming from your senses and combines them into knowledge of your environment. This makes you aware of other objects (don’t trip over that stone, don’t step in that puddle), other lifeforms (chase away the fly that has landed on your arm, don’t step on that frog on the footpath), other people (talk to your neighbour, pay for the item you just bought, wave to your friend across the road, ask for directions).

Pushing through the fog

And that third dimension? Most of the overlap here is with your emotions, the love you feel for family and close friends, the fears you entertain (fear of death, fear of injury, fear of loss). There’s a spiritual element to your nature that overlaps mere emotion and goes way beyond feelings. This is another dimension that you can explore and it’s part of our nature that we sometimes fail to consider and rarely, if ever, visit.

So go there, move towards that somewhat foggy zone and the further you go, the more you will see. And I can assure you, the more you see the more you’ll be drawn along to explore further because what you find will be delightful, encouraging and fulfilling. And remember, in the fog, the further and higher you look the less you will see. But go closer and the details will become clearer. Drawing close is the only way to deal with fog.

And there’s a huge additional advantage, the physical and the mental aspects of your existence will pass away, the atoms of your body will be recycled, dispersed, and used to construct other things. But the overlapping spiritual aspects remain, because they are not dependent on the physical world in any way, they remain.

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Helping a charity with lights

At Vale Road in Stratton on the northern edge of the Cotswold town of Cirencester, residents (and one in particular) put a lot of effort each year into decorating their homes and gardens with all sorts of coloured and illuminated decorations. And they invite the people who come to look to make a contribution to Macmillan Cancer Support.

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Image of the day – 181

What’s in an image? Sometimes quite a lot, more than meets the eye. I’m posting an image every few days.

Click images to enlarge

People love Christmas lights and decorations, and people hate illness particularly if there’s no cure. So can Christmas lights help people with incurable illness? Yes they can! But…how?

Well, one way is to use the Christmas decorations to raise money for charity, and that’s what one street in Cirencester has been doing every year for some time now.

There’s more inside – a model village!

At Vale Road in Stratton on the northern edge of the Cotswold town of Cirencester, residents (and one in particular) put a lot of effort each year into decorating their homes and gardens with all sorts of coloured and illuminated decorations. And they invite the people who come to look to make a contribution to Macmillan Cancer Support. This charity provides care, help, nursing and support for cancer patients and their families right at the time when they need help most. They will help families care for a mum, a dad, or a grandparent at home.

The heart of the action

If you live in Cirencester or the local area, why not drive out to Vale Road and park in a nearby street like Vaisey Road, Tinglesfield or Park View? (But please don’t block any driveways or park near junctions.) Then walk the short distance to Vale Road. You can pay for a tour of the best of the lights, delight your children (or grandchildren), and help support a great cause all at the same time. What could be better than that?

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Crystalline inclusions in Cotswold stone

It seems that quartz geodes are not unusual in Oolitic limestone deposits.

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Image of the day – 171

What’s in an image? Sometimes quite a lot, more than meets the eye. I’m posting an image every few days.

Click to enlarge

There’s a long stretch of dry stone Cotswold wall along the western edge of the Gloucester Road between Cirencester and Stratton. Walking along the footpath one day I was surprised to see the crystalline inclusions featured in this photo. The crystals look to me like a form of quartz (six-sided columns with six-faced prisms at both ends).

This might be part of a geode fractured open while quarrying the stone. There’s a small chance that the other side of the geode exists elsewhere in the same wall or in some other structure built around the same time. It seems that quartz geodes are not unusual in Oolitic limestone deposits. When they are stained purple purple the crystals are known as amethyst. The formation in the photo shows no hint of colour at all. The deposit must have formed from a particularly pure solution of quartz.

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A grand old house in Cirencester

Mullings engaged the architect William Jay to design the house, and Watermoor House was accordingly built around 1827 in the Greek Revival style

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Image of the day – 170

What’s in an image? Sometimes quite a lot, more than meets the eye. I’m posting an image every few days.

Click to enlarge

The land now occupied by Watermoor House and St Michael’s Park may once have been common land. But early large scale Ordnance Survey maps mark a much larger area, including that now occupied by the house and park, as a large nursery. It might have been owned at one time by Richard Gregory who was a Cirencester nurseryman in the 1790s.

The business (and probably the land) passed into the hands of John Jefferies at least by the early 1800s, and it seems that Randolph Mullings, a local solicitor, bought a substantial piece of it in order to build a large house in its own grounds. The details remain unknown, but Gregory, Jefferies and Mullings were known to one another, and Jefferies worked as a manager for Gregory on the nurseries. Gregory lost much of his money by providing surety for a friend’s loan, and Mullings advised Jefferies to continue managing the business and wait to see how things would work out.

Having acquired part of the land, Mullings engaged the architect William Jay to design the building; Watermoor House was constructed to Jay’s plan around 1827 in the Greek Revival style; and the garden and park were added to complete the property. The house is now grade II listed.

At some point Watermoor House became a private school until it closed in the 1950s or 60s. It may have had some other function following this, but today it is a residential care home.

I’ve cobbled this tale together from limited sources that may or may not be reliable. There are also many gaps. It would be good if the story could be properly researched by someone with the time and skills to undertake it.

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What do we see here?

The water flows in the town are complex, this section is often known as Gumstool Brook, but it might also be regarded as a diverted part of the Churn.

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Image of the day – 169

What’s in an image? Sometimes quite a lot, more than meets the eye. I’m posting an image every few days.

Click to enlarge

At the top of the image you can see the rears of buildings on Cecily Hill in Cirencester. Their gardens contain the trunks and foliage of mature trees just beyond the wall. The wall separates those gardens from the water channel and may have been built specifically for that purpose. Some of the tree branches have grown across the top of the wall.

Near the base of the wall is a distinct line, brown below and much paler above. I think the brown part of the wall is often underwater. The water flow is strongly seasonal, high in wintertime and much, much lower in the summer. The River Churn divides at the Gloucester Road bridge, only a kilometre from this point. The major branch follows the outside of the Roman city wall and usually continues to flow all year round. But the branch in the photo is fed from the outflow of the long, narrow, supply pound for Barton Mill and this in turn is fed from the main flow of the River Churn. The water flows in the town are complex, this section is often known as Gumstool Brook, but it might also be regarded as a diverted part of the Churn.

The pipework at the bottom of this wall was there in the 1950s and 60s when I was a child. Most of it was hidden then by a low wall topped with flagstones, but today much of the structure has fallen away exposing the glazed pipes. Out of the photo a little further to the left, the water disappears underground, running south of Coxwell Street and reappearing at the surface further west in the Abbey Grounds.

It’s good to know that the Town Council and the Friends of Gumstool Brook are looking into ways of improving the flow of this watercourse by adjusting the sluice management rules. We might see the water flowing properly all summer in 2026.

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