War, survival, victory

Nobody asks your permission or opinion, and suddenly people and places you love are injured and damaged by bombs and missiles.

Today I want to bring you news from Ukraine. I’m going to do this by giving you a glimpse through the eyes of Yaroslava Antipina who lives in Kyiv; if you want to know about a topic, the best sources always include local people.

The image above shows one of Yara’s pages on the web, here (and elsewhere) she writes regularly to inform her readers about the war, but also about Ukraine and Ukrainians. She shows us the architecture, the places she visits, the art galleries and museums and cathedrals and much, much more. Like all Ukrainians, and like my parent’s generation in the UK, Yara knows what it’s like to be thrust unwillingly into armed conflict. Nobody asks your permission or opinion, and suddenly people and places you love are injured and damaged by bombs and missiles.

But that’s enough from me today. I’m simply going to re-post Yara’s latest Sunday message to her followers. I recommend and urge you to read more of her material, you can find her in various places.

–oOo–

Hi!

I am writing to you from sunny Kyiv. The weather is mild and gentle, and on such days, it is hard to believe that the war is walking heavily somewhere on our land.

The situation in Kyiv is not so bad compared to frontline or near frontline territories. If you come here, you will see a city that tries hard to live. And you even feel this tension, this strong desire to show everyone, especially the enemy, that we are alive and our spirit is strong.

I have just got this thought…

Do you also feel that my letters are like conversations between two people? I hope so.

Okay, in this letter, you will see photos of Ukrainian artists from the so-called Samarkand era. Samarkand is a city in Uzbekistan. From 1941 to 1944, this city became a home for many Ukrainian artists. I will briefly tell you about this era a bit later in the letter. And the photos are from the exhibition I visited this week.

Petro Sulymenko (1914-1996), Sher-Dor, 1942

Some explanation: Sher-Dor Madrasa is a 17th-century madrasa (Islamic school) in the historical centre of Samarkand.

Let’s talk about the war. I rarely tell you about the situation on the frontline. It is a topic better explained by war experts or military personnel. But this week, I heard and read a lot about it, especially Chasiv Yar, so I decided to figure out why Chasiv Yar is so important for the russians.

So, Chasiv Yar is a city in Donetsk Oblast. About 13,000 people lived here, but as of early April, about 700 remained. It is the highest point for hundreds of kilometres around. The city stands on hills that protect it from the east and south like defensive walls.

Chasiv Yar is the ‘gateway’’ to the cities of Kostiantynivka (7 km to the west) and Kramatorsk (25 km to the northwest). If the russian forces manage to capture Chasiv Yar, they will have the opportunity to launch an offensive on them and other settlements of Donetsk Oblast, which still are controlled by Ukraine. You can read a short review in Politico or a detailed explanation of the importance of Chasiv Yar in The New York Times.

Oleksandr Syrotenko (1897-1975), Evening. Samarkand, 1943

I want to add a few lines about the situation in Chasiv Yar now. Of the 700 people still living in the city, 80-85% are older people who refused to evacuate. Their main argument is that this is their home, and they want to stay here till the end.

Since February 2023, Chasiv Yar has had no gas and water supply, electricity, and poor mobile phone connection. Those who have stayed here rely on generators and water from wells to keep themselves alive.

All high-rise buildings in Chasiv Yar have been damaged by shelling; 80% of the damages are critical.

–oOo–

There are four more images of beautiful paintings and more informative text, but I want to encourage you to see those on Yara’s site… Thank you!